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Compost Studios:

A blog devoted to the art of reducing, reusing, and recycling experience through words, images, and poetry.

Studio Favorites
  • Visual Chronicles: The No-Fear Guide to Creating Art Journals, Creative Manifestos and Altered Books
    Visual Chronicles: The No-Fear Guide to Creating Art Journals, Creative Manifestos and Altered Books
    by Linda Woods, Karen Dinino
  • Good Poems
    Good Poems
    Penguin (Non-Classics)
  • Journal Revolution: Rise Up & Create! Art Journals, Personal Manifestos and Other Artistic Insurrections
    Journal Revolution: Rise Up & Create! Art Journals, Personal Manifestos and Other Artistic Insurrections
    by Linda Woods, Karen Dinino
  • Revolutionary Road (Movie Tie-in Edition) (Vintage Contemporaries)
    Revolutionary Road (Movie Tie-in Edition) (Vintage Contemporaries)
    by Richard Yates
  • Poems to Live By: In Uncertain Times
    Poems to Live By: In Uncertain Times
    Beacon Press
  • True Vision: Authentic Art Journaling
    True Vision: Authentic Art Journaling
    by L.K. Ludwig
  • Schylling Sock Monkey
    Schylling Sock Monkey
    Schylling
  • Last Chance Harvey
    Last Chance Harvey
    starring Dustin Hoffman, Emma Thompson, Kathy Baker, James Brolin
  • Journal of a Solitude
    Journal of a Solitude
    by May Sarton
  • Penelope
    Penelope
    starring Christina Ricci, James McAvoy, Catherine O'Hara, Reese Witherspoon, Peter Dinklage
  • The Weight of Oranges/Miner's Pond
    The Weight of Oranges/Miner's Pond
    by Anne Michaels
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Copyright 2005-2009
Veronica McCabe Deschambault, V-Grrrl in the Middle, Compost Studios. All rights reserved. Content may not be posted or broadcast online or in other media without written permission.

 

 

Thursday
02Jul

Turning Twenty-Three

by Anne Michaels

 

You turned twenty-two in the rain.

We walked in rubber boots

along Lowther, the street shiny as albumen

under streetlamps.

 

At midnight, the sky suddenly clear,

we drove your jazz-filled car

through cold pungent streets to the lake

where we collected stones by flashlight.

The wind wrapped us in its torsions,

we couldn't hear each other although we shouted,

wet with star-swallowing waves.

 

By morning the stones we'd found

were dull with air,

but I couldn't forget the smell

of the trees' intimate darkness,

the scattered sound of the rain's distracted hands,

husks of buds in green pools on the sidewalks.

 

To love one person above all others

is despair, you said, turning twenty-two.

Propaganda of the senses, the narrow-minded heart--

 

We are magnets, averted

by our sameness.

 

Above the corrugated, elastic lake

the darkening sky holds out its arms.

A thousand miles away, you're turning twenty-three.

 

I repeat your name, each time different,

into sand, into moonlight.

 

Far off, the lake crumbles at its edges,

the sky holds out its arms.

 

Tuesday
30Jun

Review: Penelope

Restless but tired and looking for something to do, I cruised Netflix's instant viewing section over the weekend and came across the movie Penelope. A double-click later, and I was engrossed in a modern day fairy tale starring Christina Ricci and James McAvoy.

As a result of a generations-old family curse, Penelope was born to her blue-blooded parents with the face of a pig. Her father, played by Richard Grant, takes things in stride, but her mother is hysterical, willing to take extreme measures to protect Penelope from shame and degradation and the paparrazzi that are stalking her.

The curse can only be broken when Penelope is loved by someone of her own kind, so when she becomes an adult, her mother devotes all her energy to finding a socially elite suitor from the upper crust for her. Penelope becomes bored and discouraged with the process and longs for a normal life. The movie's story revolves around what happens when James McAvoy is sent into Penelope's life to take advantage of her and her situation.

Reese Witherspoon, the movie's producer, plays a supporting role as Penelope's Vespa-driving, leather-jacket wearing girlfriend. It's fun to see Reese be a tough-talking bad grrrl for a change.

Christina Ricci was perfect for the lead role, her large expressive eyes conveying an otherworldliness that suited this modern day fable. James McAvoy delivers a sympathetic performance as Max, Penelope's suitor. Catherine O'Hara, as Penelope's overbearing and misguided mother, almost steals the show.

The script is funny, the action interesting and nicely paced, and the characters are entertaining. The movie delivers multiple valuable messages about beauty, acceptance, celebrity, and social class. I really enjoyed this film, and so did my 11-year-old daughter.

Fun to rent or watch via Netflix, and the perfect birthday gift for a tween girl or young teen. Rated PG. 

 

Sunday
28Jun

Art Journal

I don't know what I think of this.  It just is what it is, and I'm not even sure it's finished.

Broken Branch 

Friday
26Jun

Review: Journal of a Solitude

When I was staying with Di in Belgium, I plucked a worn copy of May Sarton's Journal of a Solitude off her shelf, a book that she discovered when it was quoted by another blogger in her circle.

Di's copy had page corners turned down and passages marked throughout, and I hesitated to borrow a book I knew she loved so well. But she insisted and soon I was drawn into May Sarton's internal and external landscape.

May Sarton was a writer devoted to poetry, novels, and memoirs. She published 53 books in her lifetime, an astounding body of work that grew from her youth to her very final years. While some writers peak long before their deaths, May's reputation and her output were not diminished in old age. Her work is often on the reading list for academic programs in women's studies.

Journal of a Solitude was written in diary form over the course of a year when May was struggling with depression, embracing and analyzing her desire for solitude, her life as a woman and as a writer. Falling into Di's copy, I realized I would have to have my own because I was desperate to underline my favorite parts.

The book's wisdom is framed by everyday events in a small town in New Hampshire, and May's descriptions of her surroundings, her daily routines, and the people in her life fully engaged me. May was an avid gardener and in touch with the rhythm of the natural world. I share a similar bond with the outdoors and so relished every vivid depiction of weather, seasons, and the cycle of life. These form the backdrop for her thinking on women's issues, the creative process, and the benefits of solitude.

"My own belief is that one regards oneself, if one is a serious writer, as an instrument for experiencing. Life--all of it--flows through this instrument and is distilled through it into works of art. How one lives as a private person is intimately bound into the work. And at some point I believe one has to stop holding back for fear of alienating some imaginary reader or real relative or friend, and come out with personal truth. If we are to understand the human condition, and if we are to accept ourselves in all the complexity, self-doubt, extravagance of feeling, guilt, joy, the slow freeing of the self to its full capacity for action and creation, both as human being and as artist, we have to know all we can about each other, and we have to be willing to go naked."

I wonder what May would think of blogging?

Writers, artists, women, thinkers, feminists, creative spirits--all would enjoy Journal of a Solitude, which has never gone out of print since first being published in the early 70s. You can order a copy by clicking the link below:

Friday
26Jun

Birthday greetings

...to Lynn, who is warm, loyal, and eager to make a difference in the world. Her friendship has blessed my life for decades. Lucky me!

(This card was made with one of my favorite sets from Stampin Up. Other samples from this set can be seen in my card gallery, link in my navigation bar.)